I’ve had The Modern Natural Dyer
book since it came out last year. It is just as great as everybody says, and
when you see the beautiful images, you will want to make something just as
lovely as Kristine Vejar immediately!
When I got the book late last summer I started enthusiastically
collecting pokeberries, black walnut hulls, and goldenrod from our family farm.
It gave me a satisfaction almost like gardening to think that I was going to put
something from nature to a good and beautiful use. After that first burst of
activity I got a bit bogged down in specifics. I wanted to make one spectacular
thing, a thing that I could see very clearly in my mind, a thing that was so
fully conceived in my head that I already knew what I would wear it with. One
thing I did not have was the experience to actually make that thing. Rather
than give myself the creative and educational benefit of trial and error, I
dove right in with precisely cut pattern pieces, and “good”
fabric. Naturally, it didn’t turn out well.
My sad, muddy colors were surely a result of sloppy fabric prep, something I had glossed over in my hurry to get to the end. Next, I got mired in the online sourcing of just the exactly right mordant and scouring agent. Nothing is labeled fully or consistently, so I kept getting stuff that seemed close but not quite right. No matter what I did, or how hard I planned, I ended up at a rather annoying (and expensive) mental roadblock. I was thinking too big, and letting myself get overwhelmed by possibilities.
This summer when natural dye projects started blooming
across the internet like flowers in the spring time, I used a strategy that
often works for me when I am stuck: think less, make more.
Carefully sourced materials, and thoughtfully considered construction
methods are noble ideals, but I had to put them aside for the sake of growth. I
have just enough self-awareness to know that I rarely get anything right the
first time. It’s unrealistic to expect that my
fully conceived expert level (okay maybe just advanced beginner) project was
going to emerge dripping wet, and fully formed from my very first dye pot. I
shook the far too specific first project out of my head, chopped up the fabric
already cut to size, and made the simplest thing I could think of.
I used that almost right scouring agent, and close-but-not-quite
mordant. I used the marigolds under the kitchen window, and a black walnut
branch growing at the corner of the yard. I rashly raised the stakes on my
commitment to process, and let the kids help. Were these legitimate prep
chemicals or did I just boil my fabric in snake oil? Would the freshly cut black
walnut bark taint my lovely marigold orange? Would the synthetic dye in the
kids’ art box string leave a stain on my natural hue? Did I
add enough water? Are the strings tied too tight? There is only one way to find
out.
This little experience is
indicitive of the uncertainty I wrestle with when I’m looking at many of
my favorite makers’ projects online. How is everything so perfect so
fast? Do they just barf out beauty at will? Do they do everything right the
first time? Surely not, but it’s easy to let those feelings drive you into a corner
of self-doubt. This project reminds me
that I am here because I love the process.
I’m really just delighted
with my little zipper pouches. It is certainly not the best, or most creative
dye project, but it is a very important step in the right direction. More important
than a successful finished product, is giving myself the mental space to screw
it up, then fix it, then let the process unfold. I’m feeling a little bit
liberated.
PROJECT NOTES:
Dye Process: Based on Flowers at My Fingertips Sewing Kit on page 79 of The Modern Natural Dyer by Kristine Vejar
Base Fabric: Robert Kaufman Cotton Canvas
Mordant: Aluminum Solfate
Scouring Agent: Soda Ash Fixer
Flowers: Started from Hudson Valley Seed Library Marigold Medley
Pouch Pattern: Improvised, tutorial for similar here
Dye Process: Based on Flowers at My Fingertips Sewing Kit on page 79 of The Modern Natural Dyer by Kristine Vejar
Base Fabric: Robert Kaufman Cotton Canvas
Mordant: Aluminum Solfate
Scouring Agent: Soda Ash Fixer
Flowers: Started from Hudson Valley Seed Library Marigold Medley
Pouch Pattern: Improvised, tutorial for similar here
***
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